Franz Liszt
Legendes Of The Saints Vol. #2
Sunhae Im, soprano, Orchester Wiener Akademie, Chorus sine nomine, Martin Haselböck, direzione
Etichetta: Aparté
Formato: CD
N. supporti: 1
Codice catalogo: AP333
Codice a barre: 5051083190534
Uscita in Italia: 17/11/2023
Ufficio commerciale: sales@self.it
Distributore: Self Distribuzione Milano
TRACCE
Liszt: Jeanne d’arc au bûcher for Soprano and Orchestra, S. 373 / 1
Liszt: Jeanne d’arc au bûcher for Mezzo-Soprano, Piano and Harmonium, S. 293
Liszt: Die heilige Caecilia for Mezzo-Soprano and Orchestra, S. 5
Liszt: Sancta Caecilia for Mezzo-Soprano and Harmonium, S. 343
Liszt: Sankt Christoph for Baritone, Women’s Chorus, Piano, Harmonium and Harp , S. 47
Liszt: St Stanislaus, S. 688, Scene 4
Orchestral Interlude. I. Salve Polonia
Orchestral Interlude II. Salve Polonia
Liszt: Ave Maria IV for Baritone and Organ, S. 341
Liszt: Elegy No. 1 for Cello, Piano, Harp and Harmonium, S. 130a
Liszt: Psalm 137 “An den Wassern zu Babylon” for Mezzo-Soprano, Women’s Chorus, Violin, Piano, Harp & Harmonium, S. 17 / 2
Liszt: Angelus ! Prière aux anges gardiens for Harmonium, S. 378 / 1
Liszt: Jeanne d’arc au bûcher for Soprano and Orchestra, S. 373 / 1
Liszt: Jeanne d’arc au bûcher for Mezzo-Soprano, Piano and Harmonium, S. 293
Liszt: Die heilige Caecilia for Mezzo-Soprano and Orchestra, S. 5
Liszt: Sancta Caecilia for Mezzo-Soprano and Harmonium, S. 343
Liszt: Sankt Christoph for Baritone, Women’s Chorus, Piano, Harmonium and Harp , S. 47
Liszt: St Stanislaus, S. 688, Scene 4
Orchestral Interlude. I. Salve Polonia
Orchestral Interlude II. Salve Polonia
Liszt: Ave Maria IV for Baritone and Organ, S. 341
Liszt: Elegy No. 1 for Cello, Piano, Harp and Harmonium, S. 130a
Liszt: Psalm 137 “An den Wassern zu Babylon” for Mezzo-Soprano, Women’s Chorus, Violin, Piano, Harp & Harmonium, S. 17 / 2
Liszt: Angelus ! Prière aux anges gardiens for Harmonium, S. 378 / 1
Liszt: Jeanne d’arc au bûcher for Soprano and Orchestra, S. 373 / 1
Liszt: Jeanne d’arc au bûcher for Mezzo-Soprano, Piano and Harmonium, S. 293
Liszt: Die heilige Caecilia for Mezzo-Soprano and Orchestra, S. 5
Liszt: Sancta Caecilia for Mezzo-Soprano and Harmonium, S. 343
Liszt: Sankt Christoph for Baritone, Women’s Chorus, Piano, Harmonium and Harp , S. 47
Liszt: St Stanislaus, S. 688, Scene 4
Orchestral Interlude. I. Salve Polonia
Orchestral Interlude II. Salve Polonia
Liszt: Ave Maria IV for Baritone and Organ, S. 341
Liszt: Elegy No. 1 for Cello, Piano, Harp and Harmonium, S. 130a
Liszt: Psalm 137 “An den Wassern zu Babylon” for Mezzo-Soprano, Women’s Chorus, Violin, Piano, Harp & Harmonium, S. 17 / 2
Liszt: Angelus ! Prière aux anges gardiens for Harmonium, S. 378 / 1
Liszt: Jeanne d’arc au bûcher for Soprano and Orchestra, S. 373 / 1
Liszt: Jeanne d’arc au bûcher for Mezzo-Soprano, Piano and Harmonium, S. 293
Liszt: Die heilige Caecilia for Mezzo-Soprano and Orchestra, S. 5
Liszt: Sancta Caecilia for Mezzo-Soprano and Harmonium, S. 343
Liszt: Sankt Christoph for Baritone, Women’s Chorus, Piano, Harmonium and Harp , S. 47
Liszt: St Stanislaus, S. 688, Scene 4
Orchestral Interlude. I. Salve Polonia
Orchestral Interlude II. Salve Polonia
Liszt: Ave Maria IV for Baritone and Organ, S. 341
Liszt: Elegy No. 1 for Cello, Piano, Harp and Harmonium, S. 130a
Liszt: Psalm 137 “An den Wassern zu Babylon” for Mezzo-Soprano, Women’s Chorus, Violin, Piano, Harp & Harmonium, S. 17 / 2
Liszt: Angelus ! Prière aux anges gardiens for Harmonium, S. 378 / 1
DESCRIZIONE
In questo secondo volume di “Leggende dei Santi”, l’Orchestre Wiener Akademie, sotto la guida del direttore e organista Martin Haselböck, continua la sua esplorazione delle opere mistiche di Liszt.
Durante i frequenti periodi religiosi della sua vita, il compositore rivolse la sua attenzione alle vite di grandi martiri e santi. Queste opere, tra cui due registrazioni inedite di Jeanne d’arc au bûcher, Die heilige Caecilia e Salve Polonia
dall’oratorio “St Stanislaus”, sono eseguite dalla Wiener Akademie e da un magnifico cast vocale (Sunhae Im, Stephanie Houtzeel, Sofia Vinnik e Thomas Hampson), i cui timbri si fondono con l’organo, l’armonium, il pianoforte e l’arpa per
rivelare l’inesauribile genio di Liszt.